Excited and honored to have been invited to mentor participating startups in the Jacobs Startup Competition (JSC) founded and managed by students at the Jacobs University (now known as the Constructor University) in Bremen, DE.

Excited and honored to have been invited to mentor participating startups in the Jacobs Startup Competition (JSC) founded and managed by students at the Jacobs University (now known as the Constructor University) in Bremen, DE.

By popular demand, I’ve jotted down some details about my updated “cinematic” Live Streaming Studio V3 setup and gear. I’ve also shared some Lessons Learned at the end of this article that might be helpful if you also want to achieve a more professional or “cinematic” look for your streaming or Zoom calls.
UPDATE 2025: On my color grading in 2025
UPDATE 2024: On my color grading in 2024
See for yourself in the video below what v3.0 actually looks looked like when recorded and check out the comprehensive list (constantly updated) of the gear I’m currently using to achieve the look on this page.
I’ve since added back some contrast, some more definition or 3D-ness, by returning to a higher ratio / difference between key and fill light for the v3.1 as opposed to v3.0 that had a tad too little definition (and was a little too heavy on the red/warm side), as seen in the video below.
Of note, video compression in conferencing or streaming software tend to smear the image a whole lot (that’s why I have the camera output set to be so sharp – more details in = more details out when compressed in Zoom), and depending on the conferencing software and the operating system, things happen to your saturation and gamma – so it can take a bit of trial and error, aka brute-forcing, to get to a color grade and look that makes for a usable correction LUT for your setup outside of DaVinci Resolve, considering the whole signal chain.
Fun fact: One of the other changes from v3 to v3.1 is the choice of microphone. Can you hear it? (One costs 1.600,- Euros, the other 117,-). I’m actually now using the cheap-ass microphone(!) instead of my (still beloved) Neumann. Check out this list of gear for the deets.
This is a constantly updated list of all (well, most of – lot’s of grip, rigging parts, cables, etc. not included) my streaming studio and digital cine/film gear, together with my comments on why I got it and what I learned from using it (or not) – because people keep asking about which gear I use.
If you came here looking to find out how I achieve the “look” of my streaming studio setup, there’s a post on how I achieve that with color grading too.
So how this list page thing works is, click on an image, then click on the small circle with an “i” below in the right hand corner to open a description of why (or why not) and how I’m using this piece of equipment so far.
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Excited to be invited to explain the Customer Development part of the Lean Startup methodologies to startups in Cameroon, courtesy of FI Cameroon.

I’m honored and excited to be invited back to support the incubated startups at digitalHUB Aachen for the FIFTH year in a row with my company +ANDERSEN & ASSOCIATES!
I shared a summary of the Lean Launchpad structure we are using to support the early-stage startups last year.